Critically-acclaimed as
Russia’s most innovative contemporary dance company, the EIFMAN BALLET
of St. Petersburg returns to Boston with the American premiere of Anna
Karenina after its world premiere at the St. Petersburg Conservatory.
Widely
regarded to be one the greatest tragic novels of all time, Anna Karenina
centers around a tragic adulteress who falls in love with a dashing cavalryman
and leaves her husband, only to commit suicide rather than subject herself
to her lover’s rejection. Eifman’s choreographic rendition of the
celebrated 1877 literary work focuses on the love triangle between Anna,
Vronsky and Karenin. Eifman’s Karenin is a man who cannot understand
why misfortune befalls him. He sincerely loves his wife and her infidelity
is a catastrophe for him. Vronsky is a heroic lover who desires forbidden
fruit but tires of it quickly. For Eifman, the key to Tolstoy’s novel
is Anna’s emotional and sensual dependence on Vronsky. In his masterpiece,
Eifman transforms this story of passion and power into one of the most
stirring ballets brought to the stage.
The American premiere
of Anna Karenina marks the troupe’s fourth visit to Boston and seventh
tour to the United States. The EIFMAN BALLET’s national tour is produced
by New York based Ardani Artists Management, Inc.
Founded
by Boris Eifman in 1977 as the St. Petersburg Ballet Theater, the EIFMAN
BALLET has revolutionized the concept of classical dance in Russia by taking
the art of ballet to its highest level of expressiveness. Eifman created
a new type of dance artists, dancers/actors, who use the solid foundation
of impeccable classical ballet training as a launching pad for innovative,
modern choreography. The theater's unique style fuses avant-garde dance
with the methods of the 20th century dramatic theater and film, using all
aspects of a theatrical production to create a rich and a multi-dimensional
theater experience.
Shortly after being formed,
the EIFMAN BALLET began touring in Russia, performing to sold-out houses
of audiences hungry for original artistic expression. Despite the pressure
for Eifman to leave the country for not making "Soviet art," the company
stayed in St. Petersburg and continued to perform to tremendous popular
acclaim.
Unable to tour internationally
during the first 10 years of its existence for political reasons, the EIFMAN
BALLET instantly became known internationally in 1988 after its first performance
abroad at the Champs Elysees Theatre in Paris. The success of that performance
has sent the EIFMAN BALLET on tours throughout Western and Eastern Europe,
Japan, South Korea, South Africa, Israel, and Latin America. In January
of 1998, Ardani Artists took the risk of introducing American audiences
to the unique world of Boris Eifman's daring choreography. Sharply contrasted
against the strict conventions of classical ballet set by famous Russian
ballet troupes like Bolshoi and Kirov, the EIFMAN BALLET electrified the
New York audiences with its vibrant, often shocking and always original
style.
Hailed
by critics worldwide as one of the most significant contributors to today's
culture of ballet arts, the EIFMAN BALLET continues to constantly reinvent
the art form. Responding to the enormous success of its first three seasons
in New York, the company began its annual U.S. tours in 2000. In 1999,
the EIFMAN BALLET joined only three other dance companies in the status
of a constituent company of City Center, becoming the first non-American
company to receive this honor.
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