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Psyché
Music by Jean-Baptiste Lully
(1632-1687)
Libretto by Thomas Corneille
(1625-1709)
(Opera produced by Boston
Early Music Festival)
Paul O’Dette & Stephen
Stubbs, Music Directors
Gilbert Blin, Stage Director
Lucy Graham, Choreographer
Caleb Wertenbaker, Set Designer
Lenore Doxsee, Lighting
Designer
Anna Watkins, Costume Designer
Kathleen Fay, Executive
Producer
Abbie H. Katz, Associate
Producer
Returning to the lavish world
of Louis XIV's Versailles, the BEMF 2007 Psyché is
an exciting follow-up to our 2001 production of Lully's Thésée.
Originally composed as a tragic-comedie ballet in 1671 (and representing
the final product of the famous and successful partnership between Lully
and Molière), Psyché was reshaped into a tragédie
lyrique in 1678, with the spoken text of the 1671 version replaced
with additional music. One of Lully's most extravagant and popular operas,
Psyché
enjoyed performances throughout Europe well into the second half of the
18th century. This popularity resulted in an enormous number of publications
and performing editions, which coupled with the opera's unusually versatile
cast of singers, dancers, and instrumentalists, as well as its call for
elaborate stage machinery, has made modern stagings nearly impossible.
Now in the expert hands of
the Boston Early Music Festival, Psyché will come
to life as the magnificent and dazzling spectacle originally envisioned
by Lully. As Venus strives for recognition as the most beautiful of all
women, she sends her son Amour to seduce her only true rival, the mortal
Psyché. But her plan fails when Amour and Psyché find true
love, culminating in a grand wedding celebration attended by a throng of
reveling deities, singers, and dancers.
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